Solo exhibition:
Hellen van Meene / New Works
Pump House Gallery
Battersea Park, London SW11 (UK)
March 22 - May 14 2006
The private view is on 21 March from 6.30 - 8.30pm, preceded by an artist talk from 5.30 - 6.30pm.
This is the first major solo presentation of work in the UK by Dutch photographer Hellen van Meene since 2002.
Known for her intimate portraiture of adolescent girls and androgynous boys that blur the line between fact
and fiction, Pump House Gallery has commissioned van Meene to make new works in London. These focus on teenagers
and teenage parents in the gallery's local community and will be shown alongside new works made in Japan, Russia,
Germany, Latvia and Holland. Van Meene's work enters the realm of fantasy, performance and psychological space,
creating a powerful and beguiling concoction.
Located in a beautiful Victorian listed building on the lakeside of Battersea Park, Pump House Gallery offers
a diverse and innovative year-round exhibition and events programmme on all four floors of the building.
Here's more from the
press release,
and links to scans of the invitation
(also available as pdf) and a folder:
This will be the first major solo presentation of work in London by Dutch photographer Hellen van Meene since 1999. Known for her intimate fictional portraiture of adolescent girls and androgynous boys, which blur the line between fact and fiction, Pump House Gallery has commissioned van Meene to make new works in London, which will be shown alongside recent works made in Japan, Russia, Germany, Latvia and Holland.
In recent years, van Meene has increasingly moved from working with familiar models in her hometown in Holland, to working overseas and spontaneously with strangers. She does not see her work as portraiture but as creating a mood and exploring "adolescent situations and attitudes, which represent the type of 'normality' we don't usually share with others, but keep to ourselves" (the artist). She is drawn to what has been termed 'eccentric but captivating detail'; light falling on the hairs on an arm, a bruise or hair tangled in branches.
Her fascination with the grace and awkwardness that are the physical and psychological hallmarks of this age is developed in her newly commissioned work made with young people and teenage parents in South West London. Here van Meene delves into the territory of socially engaged documentary and a sense of her subjects being caught or confined between two lives is apparent. In common with earlier works more sensual and painterly qualities emerge: the subject's "state of peculiar absorption" and the invocation of historical painted portraiture (Vermeer, Rossetti, Manet).
Van Meene approaches and disturbs the problems inherent in the relationship between the photographer and the subject in a deliberate and productive way. Though rooted in documentary territory, her work remains closer in feel to Francesca Woodman than to Diane Arbus, combining documentary language with elements of fantasy, performance and psychological space to create a powerful and beguiling concoction.
Van Meene was born in Alkmaar, Holland in 1972. She has already received international critical acclaim and has shown in numerous group and solo shows internationally. Since a solo showing in 1999 at The Photographers Gallery, van Meene she has shown work extensively including in The Citibank Private Bank Photography Prize 2000 at The Photographers Gallery.
The exhibition is accompanied by a public programme including Hellen van Meene in conversation with Curator Susie Gray, a seminar event exploring issues around contemporary portrait photography and consent at the National Portrait Gallery on 6th May, family workshops and a teenage parents photo project.
[...]
A Pump House Gallery Touring Exhibition travelling to Open Eye Gallery, Liverpool 21 July / 2 Sept 2006 and
Focal Point Gallery, Southend-on-Sea 16 Dec 2006 / 3 Feb 2007.
Supported by the Arts Council England, Mondriaan Foundation, Dutch Embassy and Sadie Coles HQ.
From: press release (PDF, 42 KB)
